Shamanic Rituals as Spiritual Burdens.

For shamanic workshops or for a more serious demonstration of shamanic skills, I suggest preparing at least half a year before the event. I once had the opportunity to watch live a Hindu mass connected with the worship of serpent deities. I knew what was going to happen there. I prepared through prayers and requests for Divine protection for more than a month before the mass. And after the mass, despite this protection, because of my own omissions, large white astral worms hung from me for several days like pasta from a colander.

After a shamanic ritual I watched recently, I returned home and the people I spoke with did not recognise my energy. Someone even said: “Now you are not the same Sławek.” My energies became disrupted, despite constantly asking for Divine protection during the ritual.

In shamanic rituals it is impossible to predict completely what kinds of entanglements will be programmed. Everything depends on many variable factors. For example, on whether the shaman-priest works soberly or in a state of unconsciousness. He may put himself and his clients into trances and hypnosis, as well as promote getting intoxicated or himself take drugs, drink alcohol, inhale narcotic smoke before or during the procedures. The sum of the consequences and burdens for the shaman and the client therefore depends on the state of his mind, his abilities and intentions, as well as on the client’s conscious awareness. Shamans may use inhaled drugs and promote them to the client during the procedure. Sometimes even “ordinary” narcotic sage is burned as incense, not to mention more serious stimulants.

Because the person conducting the ritual may carry many burdens, it is worth first looking at what the shaman is wearing. If he is a European dressed in Asian, Native American or, for example, African garments, then we can see that his Soul is not present together with him, but lives 100–400 years in the past within a particular tribal culture, often already forgotten by the world. This should be understood to mean that the Soul is unconscious and reenacts something that has passed away. Attuning oneself to shamanic vibrations is not based on the worship of God, but on attuning oneself to broadly understood living nature and to that from the astral-energetic worlds. And so the shaman still has plenty of sober work ahead of him.

People so closely connected with “nature” may have astral horns on their heads similar to deer antlers from the illustration. As well as any other horns discussed, among other places, in this article. Link
Almost incidentally, totems and sculptures of their deities are promoted, to whom shamans raise prayers and whom they sometimes ask for support.

During the ritual, shamans use various words, spells, invocations to deities, to astral beings summoned to the procedure. They are sometimes called Divine helpers, Divine doctors, healers. Syllables and meaningless sounds may be used temporarily, for example “ebe, łebe, ohoooo, łoooo” and not only these. Or specially selected ones intended to produce the effect expected by the shaman. These may be harmful or neutral words spoken in some known or unknown language.

A commonly known example of similar foreign-language mantras is “Om Mani Padme Hum.” Nobody knows what they mean. Lexical interpretations contain various translations of the words of this wisdom. It was introduced by the Karmapa of Tibet during the reign of the 6th Dalai Lama. Its consequence is the summoning of astral snakes, and thus CANCER, although not here and now. For later years of life and for subsequent incarnations of the soul. Chanting “Om Mani…” is an initial calling of astral snakes, as though flirting with them. Link

During rituals shamans may use musical instruments. I am repelled by music that lacks rhythm and jars on the nerves, and this is precisely the kind often promoted in shamanic versions and presented today in the media. Music that closes the heart to Light and Love.

For example, a wooden tube functioning like an enormous flute almost two metres long attracts winged astral beings with its disharmonious droning sounds. Link Various astral lizards are drawn in by means of a bowl of water, drumming, droning with the mouth and chanting. The lizards, sometimes mistakenly called crocodiles, are used for astral attacks and in magical defence.

Mouth-and-string instruments are sometimes used, various homemade devices which I associate with the name “bździągwa.”

Native American drums, for example such as the one in the photograph beside the text, serve the shaman in promoting himself as a person suitable for frog fertility rituals. And in the case of a male shaman, this means creating a female harem devoted to him. Considering the feathers of this Native American, one may presume a desire to possess for his own use, in subsequent incarnations of the Soul, some flock of hens.

Another example shown live, and one that nevertheless leads to possession. The film shows a technique of other Souls taking control over a person and their soul. A Buddhist lama, with the consent of the newly married young couple, energetically introduced into their hearts not Love, not the joy of existence, but whatever he wanted. He programmed a different figure into each of them—meaning a different dominant foreign Soul—as well as an image of the disk of the sun and flames. These people will not get rid of this programming quickly. They probably do not have such a will either. The initiation begins at minute 18 of the film. Link

Opublikowano: 13/09/2026
Autor: Sławomir Majda
Kateogrie: Astral traps, soul catchers, archangels, Reiki, strigas, Belial, satanism, etc.

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